It was night. Half undressed, Irene was sitting on the edge of her bed stitching away at an unfinished garment of pale pink silk. Her head was bent over her work and her thick hair hung perpendicularly down on either side, making an angle with her tilted face. The light clung richly to her bare arms and shoulders, was reflected by the curved and glossy surfaces of her tight-drawn stockings. Her face was extremely grave; the tip of her tongue appeared between her teeth. It was a difficult job.

Round her, on the walls of the enormous room which had once been the bedchamber of the Cardinal Alderano Malaspina, fluttered an army of gesticulating shapes. Over the door sat God the Father, dressed in a blue crêpe de Chine tunic and enveloped in a mantle of red velvet, which fluttered in the divine afflatus as though it had been so much bunting. His right hand was extended; and in obedience to the gesture a squadron of angels went flying down one of the side walls towards the window. At a prie-Dieu in the far corner knelt Cardinal Malaspina, middle-aged, stout, with a barbiche and moustache, and looking altogether, Irene thought, like the current British idea of a French chef. The Archangel Michael, at the head of his troop of Principalities and Powers, was hovering in the air above him, and with an expression on his face of mingled condescension and respect--condescension, inasmuch as he was the plenipotentiary of the Padre Eterno, and respect, in view of the fact that His Eminence was a brother of the Prince of Massa Carrara--was poising above the prelate's head the red symbolic hat that was to make him a Prince of the Church. On the opposite wall the Cardinal was represented doing battle with the powers of darkness. Dressed in scarlet robes he stood undaunted on the brink of the bottomless pit. Behind him was a carefully painted view of the Malaspina palace, with a group of retainers and handsome coaches in the middle distance and, immediately behind their Uncle, whom they gallantly supported by their prayers, the Cardinal's nephews. From the pit came up legions of hideous devils who filled the air with the flapping of their wings. But the Cardinal was more than a match for them. Raising a crucifix above his head, he conjured them to return to the flames. And the foiled devils, gnashing their teeth and trembling with terror, were hurled back towards the pit. Head foremost, tail foremost, in every possible position they came hurtling down towards the floor. When she lay in bed, Irene could see half a dozen devils diving down at her; and when she woke up in the morning, a pair of plunging legs waved frantically within a foot of her opening eyes. In the wall space over the windows the Cardinal's cultured leisures were allegorically celebrated. Nine Muses and three Graces, attended by a troop of Hours, reclined or stood, or danced in studied postures; while the Cardinal himself, enthroned in the midst, listened to their conversation and proffered his own opinions without appearing to notice the fact that all the ladies were stark naked. No one but the most polished and accomplished man of the world could have behaved in the circumstances with such perfect savoir-vivre.

In the midst of the Cardinal's apotheosis and entirely oblivious of it, Irene stitched away at her pink chemise. Undressing, just now, she had caught sight of it lying here in her work-basket; she hadn't been able to resist the temptation of adding a touch or two there and then. It was going to be one of her masterpieces when it was done. She held it out in her two hands, at arm's length, and looked at it, lovingly and critically. It was simply too lovely.

Ever since Chelifer's arrival she had been able to do a lot of work on her underclothes. Mrs. Aldwinkle, absorbed by her unhappy passion, had completely forgotten that she had a niece who ought to be writing lyrics and painting in water-colours. Irene was free to devote all her time to her sewing. She did not neglect the opportunity. But every now and then her conscience would suddenly prick her and she would ask herself whether, after all, it was quite fair to take advantage of poor Aunt Lilian's mournful preoccupation to do what she did not approve of. She would wonder if she oughtn't, out of loyalty to Aunt Lilian, to stop sewing and make a sketch or write a poem. Once or twice in the first days she even acted on the advice of her conscience. But when in the evening she brought Aunt Lilian her sketch of the temple, and the lyric beginning 'O Moon, how calmly in the midnight sky...'--brought them with a certain triumph, a consciousness of virtuous actions duly performed--that distracted lady showed so little interest in these artistic tokens of niecely duty and affection that Irene felt herself excused henceforward from making any further effort to practise the higher life. She went on with her stitching. Her conscience, it is true, still troubled her at times; but she did nothing about it.

This evening she felt no conscientious qualm. The garment was so lovely that even Aunt Lilian, she felt sure, would have approved of it. It was a work of art--a work of art that deserved that honourable title just as richly as 'O Moon, how calmly in the midnight sky'; perhaps even more richly.

Irene folded up the unfinished masterpiece in rose, put it away, and went on with her undressing. To-night, she decided, as she brushed her hair, she would tell Aunt Lilian how right she had been about Hovenden. That ought to please her. 'How grateful I am,' she would say. And she'd tell her how much she liked him--almost, almost in that way. Not quite yet. But soon; she felt somehow that it might happen soon. And it would be the real thing. Real and solid. Not flimsy and fizzy and imaginary, like the episodes with Peter and Jacques and the rest of them.

She put on her dressing-gown and walked down the long corridor to Mrs. Aldwinkle's room. Cardinal Alderano was left alone with his devils and the obsequious angels, his nine naked Muses and the Eternal Father.

When Irene came in, Aunt Lilian was sitting in front of her looking-glass, rubbing skin food into her face.

'It appears,' she said, looking at herself in the glass, critically, as Irene had looked at her masterpiece of fine sewing, 'that there's such a wonderful electric massage machine. I forget who told me about it.'

'Was it Lady Belfry?' Irene suggested. The image of Lady Belfry's face floated up before her mind's eye--smooth, pink, round, youthful looking, but with that factitious and terribly precarious youthfulness of beauty scientifically preserved.

'Perhaps it was,' said Mrs. Aldwinkle. 'I must certainly get one of them. Write to Harrods' about it to-morrow, will you, darling?'

Irene began the nightly brushing of her aunt's hair. There was a long silence. How should she begin about Hovenden? Irene was thinking. She must begin in some way that would show how really and genuinely serious it all was. She must begin in such a way that Aunt Lilian would have no possible justification for taking up a playful tone about it. At all costs, Aunt Lilian must not be allowed to talk to her in that well-known and dreaded vein of bludgeoning banter; on no account must she be given an opportunity for saying: 'Did she think then that her silly old auntie didn't notice?' or anything of that kind. But to find the completely fun-proof formula was not so easy. Irene searched for it long and thoughtfully. She was not destined to find it. For Aunt Lilian, who had also been thinking, suddenly broke the silence.

'I sometimes doubt,' she said, 'whether he takes any interest in women at all. Fundamentally, unconsciously, I believe he's a homosexualist.'

'Perhaps,' said Irene gravely. She knew her Havelock Ellis.

For the next half-hour Mrs. Aldwinkle and her niece discussed the interesting possibility.