Calamy lay on his back, quite still, looking up into the darkness. Up there, he was thinking, so near that it's only a question of reaching out a hand to draw back the curtaining darkness that conceals it, up there, just above me, floats the great secret, the beauty and the mystery. To look into the depths of that mystery, to fix the eyes of the spirit on that bright and enigmatic beauty, to pore over the secret until its symbols cease to be opaque and the light filters through from beyond--there is nothing else in life, for me at any rate, that matters; there is no rest or possibility of satisfaction in doing anything else.

All this was obvious to him now. And it was obvious, too, that he could not do two things at once; he couldn't at the same time lean out into the silence beyond the futile noise and bustle--into the mental silence that lies beyond the body--he couldn't at the same time do this and himself partake in the tumult; and if he wanted to look into the depths of mind, he must not interpose a preoccupation with his bodily appetites.

He had known all this so well and so long; and still he went on in the same way of life. He knew that he ought to change, to do something different, and he profoundly resented this knowledge. Deliberately he acted against it. Instead of making an effort to get out of the noise and bustle, to break away from his enslavement and do what he ought to do, what he knew that, really and profoundly, he wanted to do, he had more than once, when his bonds had seemed on the point of falling away of themselves, deliberately tightened them. He resented this necessity of changing, even though it was a necessity imposed on him, not from without, but by what he knew to be the most intelligent part of his own being. He was afraid, too, that if he changed he would be making himself ridiculous. It was not that he desired to live as he had until a year ago. That dreary and fatiguing routine of pleasure had become intolerable; he had broken definitely with that. No; he pictured a sort of graceful Latin compromise. An Epicurean cultivation of mind and body. Breakfast at nine. Serious reading from ten till one. Luncheon prepared by an excellent French cook. In the afternoon a walk and talk with intelligent friends. Tea with crumpets and the most graceful of female society. A frugal but exquisite supper. Three hours' meditation about the Absolute, and then bed, not unaccompanied.... It sounded charming. But somehow it wouldn't do. To the liver of this perfect Life of Reason the secret, the mystery and the beauty, though they might be handled and examined, refused to give up their significance. If one really wanted to know about them, one must do more than meditate upon them of an evening between the French chef's masterpiece of maigre cooking and the night's rest, not in solitude. In these delightful Latin circumstances the secret, the mystery and the beauty reduced themselves to nothing. One thought of them only because they were amusing and to pass the time; they were really no more important than the tea with crumpets, the vegetarian supper and the amorous repose. If one wanted them to be more than these, one must abandon oneself completely to the contemplation of them. There could be no compromise.

Calamy knew this. But all the same he had made love to Mary Thriplow, not because he had felt an overwhelming passionate necessity to do so; but because she amused him, because her prettiness, her air of unreal innocence exasperated his senses, more than all because he felt that a love affair with Mary Thriplow would keep him thoroughly occupied and prevent him from thinking about anything else. It had not. The beauty and the mystery still hung just above him when he lay alone in the darkness. They were still there; his affair with Mary Thriplow merely prevented him from approaching them.

Down in the valley a clock struck one. The sound reminded him that he had promised to go to her to-night. He found himself thinking of what would happen when they met, of the kisses, the caresses given and received. Angrily he tried to turn his thoughts to other themes; he tried to think of the mystery and the beauty that floated there, above him, on the further side of the curtaining darkness. But however vehemently he strove to expel them, the charnel images kept returning again and again to his mind.

'I won't go,' he said to himself; but he knew while he was saying it that he would. With an extraordinary vividness he imagined her lying on the crook of his arm, extenuated, limp and shuddering, like one who has been tormented on the rack. Yes, he knew that he would go.

The notion of torture continued to haunt his mind. He thought of those poor wretches who, accused of sorcery, admitted after the third day's torment that they had indeed flown along the wind, passed through keyholes, taken the form of wolves and conjoined themselves with incubi; who would admit, not only these things, but also, after another hour on the rack, that they had accomplices, that this man, that woman, that young child were also sorcerers and servants of the devil. The spirit is willing, but the flesh is weak. Weak in pain, but weaker still, he thought, more inexcusably weak, in pleasure. For under the torments of pleasure, what cowardices, what betrayals of self and of others will it not commit! How lightly it will lie and perjure itself! How glibly, with a word, condemn others to suffer! How abjectly it will surrender happiness and almost life itself for a moment's prolongation of the delicious torture! The shame that follows is the spirit's resentment, its sad indignation at its bondage and humiliation.

Under the torment of pleasure, he thought, women are weaker than men. Their weakness flatters their lover's consciousness of strength, gratifies his desire for power. On one of his own sex a man will vent his love of power by making him suffer; but on a woman by making her enjoy. It is more the pleasurable torment he inflicts than what is inflicted upon him that delights the lover.

And since man is less weak, Calamy went on thinking, since pleasure with him is never so annihilating that he cannot take greater pleasure in the torment of his tormentor, is he not therefore the less excusable for breaking faith with himself or others under the delicious torture or the desire and anticipation of it? Man has less physical justification for his weakness and his enslavement. Woman is made by nature to be enslaved--by love, by children. But every now and then a man is born who ought to be free. For such a man it is disgraceful to succumb under the torture.

If I could free myself, he thought, I could surely do something; nothing useful, no doubt, in the ordinary sense, nothing that would particularly profit other people; but something that for me would be of the last importance. The mystery floats just above me. If I were free, if I had time, if I could think and think and slowly learn to plumb the silences of the spirit...

The image of Mary Thriplow presented itself again to his mind's eye. Limply she lay in the crook of his arm, trembling as though after torment. He shut his eyes; angrily he shook his head. The image would not leave him. If I were free, he said to himself, if I were free...

In the end he got out of bed and opened the door. The corridor was brightly illumined; an electric light was left burning all night. Calamy was just about to step out, when another door a little further down the passage was violently thrown open and Mr. Falx, his legs showing thin and hairy below the hem of a night-shirt, impetuously emerged. Calamy retired into the shadowed embrasure of his door. With the anxious, harrowed expression on his face of one who suffers from colic, Mr. Falx hurried past, looking neither to the left hand nor to the right. He turned down another passage which entered the main corridor a few yards away and disappeared; a door slammed. When he was out of sight, Calamy walked softly and rapidly down the corridor, opened the fourth door on the left and disappeared into the darkness. A little later Mr. Falx returned, at leisure, to his room.