One matter connected with his management sometimes worried Nikoláy, and that was his quick temper together with his old hussar habit of making free use of his fists. At first he saw nothing reprehensible in this, but in the second year of his marriage his view of that form of punishment suddenly changed.

Once in summer he had sent for the village elder from Boguchárovo, a man who had succeeded to the post when Dron died and who was accused of dishonesty and various irregularities. Nikoláy went out into the porch to question him, and immediately after the elder had given a few replies the sound of cries and blows were heard. On returning to lunch Nikoláy went up to his wife, who sat with her head bent low over her embroidery frame, and as usual began to tell her what he had been doing that morning. Among other things he spoke of the Boguchárovo elder. Countess Márya turned red and then pale, but continued to sit with head bowed and lips compressed and gave her husband no reply.

“Such an insolent scoundrel!” he cried, growing hot again at the mere recollection of him. “If he had told me he was drunk and did not see⁠ ⁠… But what is the matter with you, Márya?” he suddenly asked.

Countess Márya raised her head and tried to speak, but hastily looked down again and her lips puckered.

“Why, whatever is the matter, my dearest?”

The looks of the plain Countess Márya always improved when she was in tears. She never cried from pain or vexation, but always from sorrow or pity, and when she wept her radiant eyes acquired an irresistible charm.

The moment Nikoláy took her hand she could no longer restrain herself and began to cry.

“Nicolas, I saw it⁠ ⁠… he was to blame, but why do you⁠ ⁠… Nicolas!” and she covered her face with her hands.

Nikoláy said nothing. He flushed crimson, left her side, and paced up and down the room. He understood what she was weeping about, but could not in his heart at once agree with her that what he had regarded from childhood as quite an everyday event was wrong. “Is it just sentimentality, old wives’ tales, or is she right?” he asked himself. Before he had solved that point he glanced again at her face filled with love and pain, and he suddenly realized that she was right and that he had long been sinning against himself.

“Márya,” he said softly, going up to her, “it will never happen again; I give you my word. Never,” he repeated in a trembling voice like a boy asking for forgiveness.

The tears flowed faster still from the countess’ eyes. She took his hand and kissed it.

“Nicolas, when did you break your cameo?” she asked to change the subject, looking at his finger on which he wore a ring with a cameo of Laocoön’s head.

“Today⁠—it was the same affair. Oh, Márya, don’t remind me of it!” and again he flushed. “I give you my word of honor it shan’t occur again, and let this always be a reminder to me,” and he pointed to the broken ring.

After that, when in discussions with his village elders or stewards the blood rushed to his face and his fists began to clench, Nikoláy would turn the broken ring on his finger and would drop his eyes before the man who was making him angry. But he did forget himself once or twice within a twelvemonth, and then he would go and confess to his wife, and would again promise that this should really be the very last time.

“Márya, you must despise me!” he would say. “I deserve it.”

“You should go, go away at once, if you don’t feel strong enough to control yourself,” she would reply sadly, trying to comfort her husband.

Among the gentry of the province Nikoláy was respected but not liked. He did not concern himself with the interests of his own class, and consequently some thought him proud and others thought him stupid. The whole summer, from spring sowing to harvest, he was busy with the work on his farm. In autumn he gave himself up to hunting with the same businesslike seriousness⁠—leaving home for a month, or even two, with his hunt. In winter he visited his other villages or spent his time reading. The books he read were chiefly historical, and on these he spent a certain sum every year. He was collecting, as he said, a serious library, and he made it a rule to read through all the books he bought. He would sit in his study with a grave air, reading⁠—a task he first imposed upon himself as a duty, but which afterwards became a habit affording him a special kind of pleasure and a consciousness of being occupied with serious matters. In winter, except for business excursions, he spent most of his time at home making himself one with his family and entering into all the details of his children’s relations with their mother. The harmony between him and his wife grew closer and closer and he daily discovered fresh spiritual treasures in her.

From the time of his marriage Sónya had lived in his house. Before that, Nikoláy had told his wife all that had passed between himself and Sónya, blaming himself and commending her. He had asked Princess Márya to be gentle and kind to his cousin. She thoroughly realized the wrong he had done Sónya, felt herself to blame toward her, and imagined that her wealth had influenced Nikoláy’s choice. She could not find fault with Sónya in any way and tried to be fond of her, but often felt ill-will toward her which she could not overcome.

Once she had a talk with her friend Natásha about Sónya and about her own injustice toward her.

“You know,” said Natásha, “you have read the Gospels a great deal⁠—there is a passage in them that just fits Sónya.”

“What?” asked Countess Márya, surprised.

“ ‘To him that hath shall be given, and from him that hath not shall be taken away.’ You remember? She is one that hath not; why, I don’t know. Perhaps she lacks egotism, I don’t know, but from her is taken away, and everything has been taken away. Sometimes I am dreadfully sorry for her. Formerly I very much wanted Nicolas to marry her, but I always had a sort of presentiment that it would not come off. She is a sterile flower, you know⁠—like some strawberry blossoms. Sometimes I am sorry for her, and sometimes I think she doesn’t feel it as you or I would.”

Though Countess Márya told Natásha that those words in the Gospel must be understood differently, yet looking at Sónya she agreed with Natásha’s explanation. It really seemed that Sónya did not feel her position trying, and had grown quite reconciled to her lot as a sterile flower. She seemed to be fond not so much of individuals as of the family as a whole. Like a cat, she had attached herself not to the people but to the home. She waited on the old countess, petted and spoiled the children, was always ready to render the small services for which she had a gift, and all this was unconsciously accepted from her with insufficient gratitude.

The country seat at Bald Hills had been rebuilt, though not on the same scale as under the old prince.

The buildings, begun under straitened circumstances, were more than simple. The immense house on the old stone foundations was of wood, plastered only inside. It had bare deal floors and was furnished with very simple hard sofas, armchairs, tables, and chairs made by their own serf carpenters out of their own birchwood. The house was spacious and had rooms for the house serfs and apartments for visitors. Whole families of the Rostóvs’ and Bolkónskis’ relations sometimes came to Bald Hills with sixteen horses and dozens of servants and stayed for months. Besides that, four times a year, on the name days and birthdays of the hosts, as many as a hundred visitors would gather there for a day or two. The rest of the year life pursued its unbroken routine with its ordinary occupations, and its breakfasts, lunches, dinners, and suppers, provided out of the produce of the estate.