They were married the following May, just two months later. The High Prairie school year practically ended with the appearance of the first tender shoots of green that meant onions, radishes, and spinach above the rich sandy loam. Selina’s classes broke, dwindled, shrank to almost nothing. The school became a kindergarten of five-year-old babies who wriggled and shifted and scratched in the warm spring air that came from the teeming prairie through the open windows. The schoolhouse stove stood rusty-red and cold. The drum in Selina’s bedroom was a black genie deprived of his power now to taunt her.

Selina was at once bewildered and calm; rebellious and content. Overlaying these emotions was something like grim amusement. Beneath them, something like fright. High Prairie, in May, was green and gold and rose and blue. The spring flowers painted the fields and the roadside with splashes of yellow, of pink, of mauve, and purple. Violets, buttercups, mandrakes, marsh-marigolds, hepatica. The air was soft and cool from the lake. Selina had never known spring in the country before. It made her ache with an actual physical ache. She moved with a strange air of fatality. It was as if she were being drawn inexorably, against her will, her judgment, her plans, into something sweet and terrible. When with Pervus she was elated, gay, voluble. He talked little; looked at her dumbly, worshippingly. When he brought her a withered bunch of trilliums, the tears came to her eyes. He had walked to Updike’s woods to get them because he had heard her say she loved them, and there were none nearer. They were limp and listless from the heat, and from being held in his hand. He looked up at her from where he stood on the kitchen steps, she in the doorway. She took them, laid her hand on his head. It was as when some great gentle dog brings in a limp and bedraggled prize dug from the yard and, laying it at one’s feet, looks up at one with soft asking eyes.

There were days when the feeling of unreality possessed her. She, a truck farmer’s wife, living in High Prairie the rest of her days! Why, no! No! Was this the great adventure that her father had always spoken of? She, who was going to be a happy wayfarer down the path of life⁠—any one of a dozen things. This High Prairie winter was to have been only an episode. Not her life! She looked at Maartje. Oh, but she’d never be like that. That was stupid, unnecessary. Pink and blue dresses in the house, for her. Frills on the window curtains. Flowers in bowls.

Some of the pangs and terrors with which most prospective brides are assailed she confided to Mrs. Pool while that active lady was slamming about the kitchen.

“Did you ever feel scared and⁠—and sort of⁠—scared when you thought about marry, Mrs. Pool?”

Maartje Pool’s hands were in a great batch of bread dough which she pummelled and slapped and kneaded vigorously. She shook out a handful of flour on the baking board while she held the dough mass in the other hand, then plumped it down and again began to knead, both hands doubled into fists.

She laughed a short little laugh. “I ran away.”

“You did! You mean you really ran⁠—but why? Didn’t you lo⁠—like Klaas?”

Maartje Pool kneaded briskly, the colour high in her cheeks, what with the vigorous pummelling and rolling, and something else that made her look strangely young for the moment⁠—girlish, almost. “Sure I liked him, I liked him.”

“But you ran away?”

“Not far. I came back. Nobody ever knew I ran, even. But I ran. I knew.”

“Why did you come back?”

Maartje elucidated her philosophy without being in the least aware that it could be called by any such high-sounding name. “You can’t run away far enough. Except you stop living you can’t run away from life.”

The girlish look had fled. She was world-old. Her strong arms ceased their pounding and thumping for a moment. On the steps just outside Klaas and Jakob were scanning the weekly reports preparatory to going into the city late that afternoon.

Selina had the difficult task of winning Roelf to her all over again. He was like a trusting little animal, who, wounded by the hand he has trusted, is shy of it. She used blandishments on this boy of thirteen such as she had never vouchsafed the man she was going to marry. He had asked her, bluntly, one day: “Why are you going to marry with him?” He never spoke the name.

She thought deeply. What to say? The answer ready on her tongue would have little meaning for this boy. There came to her a line from Lancelot and Elaine. She answered, “To serve him, and to follow him through the world.” She thought that rather fine-sounding until Roelf promptly rejected it. “That’s no reason. An answer out of a book. Anyway, to follow him through the world is dumb. He stays right here in High Prairie all his life.”

“How do you know!” Selina retorted, almost angrily. Startled, too.

“I know. He stays.”

Still, he could not withstand her long. Together they dug and planted flower beds in Pervus’s dingy front yard. It was too late for tulips now. Pervus had brought her some seeds from town. They ranged all the way from poppies to asters; from purple iris to morning glories. The last named were to form the back-porch vine, of course, because they grew quickly. Selina, city-bred, was ignorant of varieties, but insisted she wanted an old-fashioned garden⁠—marigolds, pinks, mignonette, phlox. She and Roelf dug, spaded, planted. The DeJong place was markedly ugly even in that community of squat houses. It lacked the air of sparkling cleanliness that saved the other places from sordidness. The house, even then, was thirty years old⁠—a gray, weather-beaten frame box with a mansard roof and a flat face staring out at the dense willows by the roadside. It needed paint; the fences sagged; the window curtains were awry. The parlour was damp, funereal. The old woman who tended the house for Pervus slopped about all day with a pail and a wet gray rag. There was always a crazy campanile of dirty dishes stacked on the table, and the last meal seemed never to catch up with the next. About the whole house there was a starkness, a bareness that proclaimed no woman who loved it dwelt therein.

Selina told herself (and Pervus) that she would change all that. She saw herself going about with a brush and a can of white paint, leaving beauty in her wake, where ugliness had been.

Her trousseau was of the scantiest. Pervus’s household was already equipped with such linens as they would need. The question of a wedding gown troubled her until Maartje suggested that she be married in the old Dutch wedding dress that lay in the bride’s chest in Selina’s bedroom.

“A real Dutch bride,” Maartje said. “Your man will think that is fine.” Pervus was delighted. Selina basked in his love like a kitten in the sun. She was, after all, a very lonely little bride with only two photographs on the shelf in her bedroom to give her courage and counsel. The old Dutch wedding gown was many inches too large for her. The skirt-band overlapped her slim waist; her slender little bosom did not fill out the generous width of the bodice; but the effect of the whole was amazingly quaint as well as pathetic. The wings of the stiffly embroidered coif framed the white face from which the eyes looked out, large and dark. She had even tried to wear the hand-carved shoes, but had to give that up. In them her feet were as lost as minnows in a rowboat. She had much difficulty with the queer old buttons and fastenings. It was as though the dead and gone Sophia Kroon were trying, with futile ghostly fingers, to prevent this young thing from meeting the fate that was to be hers.

They were married at the Pools’. Klaas and Maartje had insisted on furnishing the wedding supper⁠—ham, chickens, sausages, cakes, pickles, beer. The Reverend Dekker married them and all through the ceremony Selina chided herself because she could not keep her mind on his words in the fascination of watching his short stubby beard as it waggled with every motion of his jaw. Pervus looked stiff, solemn, and uncomfortable in his wedding blacks⁠—not at all the handsome giant of the everyday corduroys and blue shirt. In the midst of the ceremony Selina had her moment of panic when she actually saw herself running shrieking from this company, this man, this house, down the road, on, on toward⁠—toward what? The feeling was so strong that she was surprised to find herself still standing there in the Dutch wedding gown answering “I do” in the proper place.

The wedding gifts were few. The Pools had given them a “hanging lamp,” coveted of the farmer’s wife; a hideous atrocity in yellow, with pink roses on its shade and prisms dangling and tinkling all around the edge. It was intended to hang suspended from the parlour ceiling, and worked up and down on a sort of pulley chain. From the Widow Paarlenberg came a water set in red frosted glass shading to pink⁠—a fat pitcher and six tumblers. Roelf’s gift, the result of many weeks’ labour in the work-shed, was a bride’s chest copied from the fine old piece that had saved Selina’s room from sheer ugliness. He had stained the wood, polished it. Had carved the front of it with her initials⁠—very like those that stood out so boldly on the old chest upstairs⁠—S. P. D. And the year⁠—1890. The whole was a fine piece of craftsmanship for a boy of thirteen⁠—would not have discredited a man of any age. It was the one beautiful gift among Selina’s clumsy crude wedding things. She had thanked him with tears in her eyes. “Roelf, you’ll come to see me often, won’t you? Often!” Then, as he had hesitated, “I’ll need you so. You’re all I’ve got.” A strange thing for a bride to say.

“I’ll come,” the boy had said, trying to make his voice casual, his tone careless. “Sure, I’ll come oncet in a while.”

“Once, Roelf. Once in a while.”

He repeated it after her, dutifully.

After the wedding they went straight to DeJong’s house. In May the vegetable farmer cannot neglect his garden even for a day. The house had been made ready for them. The sway of the old housekeeper was over. Her kitchen bedroom was empty.

Throughout the supper Selina had had thoughts which were so foolish and detached as almost to alarm her.

“Now I am married. I am Mrs. Pervus DeJong. That’s a pretty name. It would look quite distinguished on a calling card, very spidery and fine:

Mrs. Pervus DeJong At Home Fridays

She recalled this later, grimly, when she was Mrs. Pervus DeJong, at home not only Fridays, but Saturdays, Sundays, Mondays, Tuesdays, Wednesdays, and Thursdays.

They drove down the road to DeJong’s place. Selina thought, “Now I am driving home with my husband. I feel his shoulder against mine. I wish he would talk. I wish he would say something. Still, I’m not frightened.”

Pervus’s market wagon was standing in the yard, shafts down. He should have gone to market today; would certainly have to go tomorrow, starting early in the afternoon so as to get a good stand in the Haymarket. By the light of his lantern the wagon seemed to Selina to be a symbol. She had often seen it before, but now that it was to be a part of her life⁠—this the DeJong market wagon and she Mrs. DeJong⁠—she saw clearly what a crazy, disreputable, and poverty-proclaiming old vehicle it was, in contrast with the neat strong wagon in Klaas Pool’s yard, smart with green paint and red lettering that announced, “Klaas Pool, Garden Produce.” With the two sleek farm horses the turnout looked as prosperous and comfortable as Klaas himself.

Pervus swung her down from the seat of the buggy, his hand about her waist, and held her so for a moment, close. Selina said, “You must have that wagon painted, Pervus. And the seat-springs fixed and the sideboard mended.”

He stared. “Wagon!”

“Yes. It looks a sight.”

The house was tidy enough, but none too clean. Old Mrs. Voorhees had not been minded to keep house too scrupulously for a man who would be unlikely to know whether or not it was clean. Pervus lighted the lamps. There was a fire in the kitchen stove. It made the house seem stuffy on this mild May night. Selina thought that her own little bedroom at the Pools’, no longer hers, must be deliciously cool and still with the breeze fanning fresh from the west. Pervus was putting the horse into the barn. The bedroom was off the sitting room. The window was shut. This last year had taught Selina to prepare the night before for next morning’s rising, so as to lose the least possible time. She did this now, unconsciously. She took off her white muslin underwear with its frills and embroidery⁠—the three stiff petticoats, and the stiffly starched corset-cover, and the high-bosomed corset and put them into the bureau drawer that she herself had cleaned and papered neatly the week before. She brushed her hair, laid out tomorrow’s garments, put on her high-necked, long-sleeved nightgown and got into this strange bed. She heard Pervus DeJong shut the kitchen door; the latch clicked, the lock turned. Heavy quick footsteps across the bare kitchen floor. This man was coming into her room⁠ ⁠… “You can’t run far enough,” Maartje Pool had said. “Except you stop living you can’t run away from life.”

Next morning it was dark when he awakened her at four. She started up with a little cry and sat up, straining her ears, her eyes. “Is that you, Father?” She was little Selina Peake again, and Simeon Peake had come in, gay, debonair, from a night’s gaming.

Pervus DeJong was already padding about the room in stocking feet. “What⁠—what time is it? What’s the matter, Father? Why are you up? Haven’t you gone to bed⁠ ⁠…” Then she remembered.

Pervus DeJong laughed and came toward her. “Get up, little lazy bones. It’s after four. All yesterday’s work I’ve got to do, and all today’s. Breakfast, little Lina, breakfast. You are a farmer’s wife now.”